Upcoming Events
Logger's Breakfast
Special Event
Come be a part of Natural Resource week with the Forestry club fundraiser Logger Breakfast. COME SUPPORT THE FORESTRY CLUB AND ENJOY SOME BREAKFAST! each breakfast will come with a raffle ticket to win a generic hydroflask.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Aviation Program Banquet and Silent Auction Fundraiser 2020
Ceremony/Awards/Celebration
Join the students, faculty and alumni for the annual celebration to recognize our top students, award scholarships and student achievement awards, and raise funds for future scholarships and student clubs. Door prizes include flights in aircraft and aviation swag. Tickets are $25 for dinner and event, and only $10 for youth and students.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Focused Friday Virtual Alumni Panel: How COVID-19 is Affecting Industry
Panel Discussion/Presentation | Focused Friday
Hear Aggie alumni in various industries address how COVID-19 is affecting their work, how their companies are adapting, and how you can be prepared to succeed as an employee or intern in this new environment. This discussion will be live streamed on the Huntsman YouTube Channel.
Panel Members:
- Ethan Dursteler - Government Affairs and Public Policy Coordinator, NFL
- Theresa Foxley – CEO of Economic Development Corporation of Utah
- Dustin Jones – Co-Founder of Unified Commerce Group
- Eddie Norton – Director of Finance, White Field Capital
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
[CANCELLED] Women's Softball
Sports
Double Header - Utah State University Eastern Softball vs Snow College
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
[CANCELLED] Women's Softball
Sports
Double Header - Utah State University Eastern Softball vs Snow College
Swaner's Craft Sunday
Arts/Entertainment | Home, Family, and Food
Bring your crafty kids to Swaner's Craft Sunday! Swaner Preserve and EcoCenter will offer a nature-themed craft every Sunday from 11 a.m. to 1 p.m. All ages are welcome!
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Biological Engineering Department WebEx Seminar
Conference/Seminar
The BE Department's Seminar Series Speaker, Dr. Christopher Fox, VP of Formulations at the Infectious Disease Research Institute, will present: "From Bench to Clinic: Development of the 3M-052-Alum Vaccine Adjuvant Formulation".
April 7th at 10:30 am through WebEx
For nearly a century, aluminum salts have been the most widely used vaccine adjuvant formulation, with an established history of safety and efficacy. Nevertheless, for extremely challenging disease targets such as tuberculosis or HIV, the adjuvant activity of aluminum salts is not adequate to achieve protective efficacy. This presentation will describe a formulation approach to solving this challenge by developing a lipid-based nanosuspension of a synthetic TLR7/8 ligand (3M-052), that facilitates adsorption to aluminum oxyhydroxide (Alum) via the structural properties of the lipid excipient employed.
WebEx Information:
-Meeting number (access code): 800 839 784
-Meeting password: dPbp2cXmp88
-Join By Phone: +1-415-655-0001
-Join By Video: 800839784@usumeetings.webex.com
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Virtual SRS
Conference/Seminar
This year’s SRS will be hosted virtually on LinkedIn. Follow #USU2020SRS
Research Weeks will begin with the Student Research Symposium, held Apr. 8-9. Typically, SRS draws hundreds of students to the Merrill-Cazier Library to share and view poster and oral presentations of graduate and undergraduate research.
SRS will be held on Linkedin, as searchable posts designated with the hashtag #USU2020SRS. Researchers will be able to share their work with other SRS participants and judges, as well as their professional networks.
For more information visit https://research.usu.edu/srs/
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Breaking Barriers: Wild Womxn Workshop Series "Taking Care of Your Gear: Maintenance and Repair"
Workshop/Training
Join us in creating a space where women (trans and non-binary inclusive) can gain knowledge and inspiration to recreate in outdoor spaces. Entrance is free and open to all! Pizza will be served!
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
[CANCELLED] Men's Baseball
Sports
Utah State University Eastern Baseball vs Colorado Northwestern Community College
Softball v. Nevada
Sports
Watch USU Softball take on Nevada at home. Come support your Aggies!
Softball v. Nevada
Sports
Watch USU Softball take on Nevada at home. Come support your Aggies!
Breaking Barriers: Wild Womxn Workshop Series "Taking Care of Your Gear: Maintenance and Repair"
Workshop/Training
Join us in creating a space where women (trans and non-binary inclusive) can gain knowledge and inspiration to recreate in outdoor spaces. Entrance is free and open to all! Pizza will be served!
USU Brigham City Lecture Series: Bushnell Hospital - Lecturer, Andrea Carter - CANCELED
Lecture/Readings
USU Brigham City is proud to present historical and insightful lectures to our community. Taking place at the USU Brigham City campus, all lectures will begin at 7:00 pm and are free and open to the public.
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Softball v. Nevada
Sports
Watch USU Softball take on Nevada at home. Come support your Aggies!
Hangar Hop 2020
Arts/Entertainment
The USU Flight Team hosts the annual premiere fundraiser on Friday, April 10th from 7:00-10:30 p.m. The aircraft hangar will be transformed into a 1940's USO style Hangar Hop with live music provided by the Cache Community Big Band, huge 60' parachute hanging from the ceiling and a vintage aircraft to take your dance photos. The USU Big Band Swing Dance club will provide dance instruction at 7 p.m and their dance team has been invited to give a demonstration.
This is a wonderful event to help our USU Flying Aggies raise funds to train and travel to their annual Flight Team Regional competition. The cost for the dance is only $10 per person. Light refreshments are provided.
VINTAGE 40's DRESS ENCOURAGED!!!!
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
Women in Business | Entrepreneurship Workshop/Training | Year of the Woman - CANCELED
Workshop/Training | Year of the Woman
Celebrate women of the Uintah Basin. Join us for six business-related workshops to help women entrepreneurs advance their ideas. Be inspired by our guest speakers and watch a screening of “Nailed It,” a documentary profiling the genesis and legacy of the Vietnamese nail salon and its influence on an $8 billion-dollar American industry.
Bring donations to support Split Mountain Youth Center.
Home Buyer Education
Workshop/Training
This workshop was developed to educate first time home buyers about the home purchasing process. Through education, individuals will better understand each step in the process and gain confidence in their home buying decisions.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Softball v. Nevada
Sports
Watch USU Softball take on Nevada at home. Come support your Aggies!
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Little Naturalist
Lecture/Readings | Home, Family, and Food
Little Naturalist is the perfect program for 3 to 5 year olds who are curious about animals, their habitats, the environment, and exploring nature. Join us twice a month, October through May, from 10 a.m. to 11 a.m. to read a specially selected nature-themed book, explore the natural world, and complete a craft. Some favorites include snowshoeing on the Preserve, interacting with live reptiles and amphibians, upcycling old materials into holiday decorations, and much more!
Cost is $2.00 per youth participant, or buy a $15.00 punch card good f or 10 programs.
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Softball v. Idaho State
Sports
Watch USU Softball take on Idaho State at home. Come support your Aggies!
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Last Chance Fair
Social/Networking
This is the last career fair of the year, which means this is the last opportunity for students and employers to connect with each other face to face.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
USU Museum of Anthropology Virtual Tour
Arts/Entertainment
Join us for a virtual tour of the College of Humanities and Social Sciences Museum of Anthropology. This will be hosted online via Instagram Live @ususaevents at 5 pm
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Logan City Limits
Fair/Festival
Aggie Radio presents a three day music festival to discover local, regional, and national artists. Come Discover the Alternative at Whysound on the 16th, TSC Ballroom and Lounges on the 17th, and The Cache on the 18th! Pop Up Shows on campus will be happening 10:30-2:00PM Thursday and Friday, and art installations will be presented throughout the student center Thursday and Friday as well.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
[CANCELLED] Men's Baseball
Sports
Utah State University Eastern Baseball vs Salt Lake Community College
Friends of Merrill-Cazier Library Spring Lecture with Colleen McDannell
Lecture/Readings | Year of the Woman
Join us on April 16 for an interesting interview with published author and professor of history and religious studies at University of Utah, Colleen McDannell. McDannell will discuss female members of the Church of Jesus Christ of Latter-day Saints view on the church’s culture since the end of polygamy. From suffrage to modern day blogging, hear McDannell’s research on feminist movements within the church after plural marriage was no longer practiced. This event is free and open to the public.
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
[CANCELLED] Men's Baseball
Sports
Double Header - Utah State University Eastern Baseball vs Salt Lake Community College
[CANCELLED] Piano/Vocal Student Recital
Arts/Entertainment
USU Eastern Piano and Vocal Students
[CANCELED] Science Unwrapped - Chocolate
Panel Discussion/Presentation | Science Unwrapped
Inquiring minds of all ages are invited to Science Unwrapped, the public outreach program of Utah State University's College of Science. At 7 pm, enjoy a presentation about chocolate -- where it comes from and the science behind how it's made -- by USU food chemist Silvana Martini, professor in USU's Department of Nutrition, Dietetics and Food Sciences and research coordinator of the Aggie Chocolate Factory. Following the talk, enjoy refreshments and hands-on, science learning activities. Admission is free. Learn more at our website: https://www.usu.edu/unwrapped/
Logan City Limits Livestream
Arts/Entertainment
Join us for the 10th annual Logan City Limits Concert in a live stream format. We will be featuring local artists and bands this Friday at 7 pm.
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
EWB USU 5K Fundraiser CANCELLED
Fundraiser
NOTICE: All university events have been canceled through Friday, May 1, in order to prevent COVID-19 from appearing and spreading in campus communities throughout the state. For more information, visit: www.usu.edu/COVID-19.
Come join in our annual 5K fun run fundraiser! Proceeds go towards supporting our design projects for communities around the world. It's a fun time and there will be prizes, T-shirts, and refreshments!
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
[CANCELLED] Men's Baseball
Sports
Utah State University Eastern Baseball vs Salt Lake Community College
[CANCELLED] James and the Giant Peach
Arts/Entertainment
James and the Giant Peach is a popular children's novel written in 1961 by British author Roald Dahl. The plot centers on a young English orphan boy who enters a gigantic, magical peach, and has a wild and surreal cross-world adventure with seven magically-altered garden bugs he meets.
Tickets: https://www.eventbrite.com/e/james-and-the-giant-peach-tickets-65555782109
Virtual PoBev (Poetry and a Beverage)
Arts/Entertainment
Join us for the last PoBev of the year, you'll have to provide your own snacks and stay socially distant but we will be streaming some of your favorite student performers on Instagram Live at 9pm.
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
US Air Force Civilian Service Virtual Career Fair
Special Event
US Air Force Civilian Service is holding a virtual career fair. They are looking to hire individuals in engineering, computer science, math, science, and technology. Registration is required and must be completed by 9 April 2020.
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
[CANCELLED] Student Art Show
Arts/Entertainment
Gallery East Art Exhibition
Display of USU Eastern Student Work
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
[CANCELLED] Women's Softball
Sports
Double Header - Description:Utah State University Eastern Softball vs College of Southern Nevada
Softball v. Boise State
Sports
Watch USU Softball take on Boise State at home. Come support your Aggies!
[CANCELLED] Gallery East Student Art Reception & Awards
Ceremony/Awards/Celebration
Gallery East Art Exhibition
Display of USU Eastern Student Work
[CANCELLED] Commencement
Ceremony/Awards/Celebration
USU Eastern Commencement
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
[CANCELLED] Women's Softball
Sports
Double Header - Description:Utah State University Eastern Softball vs College of Southern Nevada
Softball v. Boise State
Sports
Watch USU Softball take on Boise State at home. Come support your Aggies!
Softball v. Boise State
Sports
Watch USU Softball take on Boise State at home. Come support your Aggies!
Little Naturalist
Lecture/Readings | Home, Family, and Food
Little Naturalist is the perfect program for 3 to 5 year olds who are curious about animals, their habitats, the environment, and exploring nature. Join us twice a month, October through May, from 10 a.m. to 11 a.m. to read a specially selected nature-themed book, explore the natural world, and complete a craft. Some favorites include snowshoeing on the Preserve, interacting with live reptiles and amphibians, upcycling old materials into holiday decorations, and much more!
Cost is $2.00 per youth participant, or buy a $15.00 punch card good f or 10 programs.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
MBA Virtual Information Session
Information/Orientation | Student Recruiting
This virtual information session is available to anyone interested in either pursuing an MBA or learning what an MBA could do for you. The session will cover frequently asked questions and will have a live Q&A panel made up of an MBA alum, MBA student, and the MBA team to answer any additional questions you may have.
Please register here to receive a Zoom meeting invitation.
Can't attend? Learn more about the MBA program now or schedule an MBA Advising Appointment by visiting huntsman.usu.edu/mba.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
WEBINAR - Fireflies in Utah?!
Lecture/Readings | Agriculture and Natural Resources
Did you know there are fireflies in Utah? Learn about the biology and ecology of these fascinating biolumenescent beetles from Christy Bills, Entomologist at the Natural History Museum of Utah. Christy will be presenting her research on these amazing creatures and providing all the information you need to participate in a local citizen-science project to contribute to their conservation. This interactive lecture will be held remotely. Watch it from the comfort of your home! Once you register for this event, we will send you the information for how to access the webinar on your computer or smart phone.
2040 Remote Film Screening
Arts/Entertainment | Home, Family, and Food
Join the Swaner Preserve and EcoCenter, Park City Film Series, and Park City Municipal Corporation for a remote screening of the 2040 Film followed by a virtual panel discussion! The film will be available for you to watch between April 30 and May 1 from the comfort of your home. The panel discussion will take place via WebEx Events at 6:30 pm on Friday, May 1, 2020.
?Award-winning director Damon Gameau (That Sugar Film) embarks on a journey to explore what the future could look like by the year 2040 if we simply embraced the best solutions already available to us to improve our planet and shifted them rapidly into the mainstream. Structured as a visual letter to his 4-year-old daughter, Damon blends traditional documentary with dramatised sequences and high-end visual effects to create a vision board of how these solutions could regenerate the world for future generations.
Watch the trailer here!
https://parkcityfilm.org/film/2040/
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
[CANCELLED] Men's Baseball
Sports
Description:Utah State University Eastern Baseball vs College of Southern Idaho
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