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From the Spring 2018 Edition of Discovery

The Crossroads Project: Unlocking People’s Thinking

Arts connect us to critical science information says USU Physics alum, faculty member Rob Davies

USU physicist Rob Davies, left, with the Fry Street Quartet, during a presentation of The Crossroads Project.

USU physicist Rob Davies, left, with the Fry Street Quartet, during a presentation of The Crossroads Project.

Photo courtesy Andrew McAllister

Scientists get a bad rap for being poor communicators, says USU Physics alum and faculty member Rob Davies (Physics, MS’96, PhD ’99).

“Some scientists are fabulous communicators,” says Davies, associate professor of professional practice in USU’s Department of Physics. “Still, communication is not what scientists are traditionally trained to do. Any time we can collaborate with artists, then, is a real opportunity to change the game, because the Arts excel at connecting us with stories on a human level.”

Davies is founder of The Crossroads Project, a collection of artists – and a physicist – who combine science, music, visual art and photography to convey humanity’s impact on the planet. With the renowned Fry Street Quartet, which holds the Dan C. and Manon Caine Russell Endowed String Quartet Residency at USU’s Caine College of the Arts, Davies has traveled throughout the United States, to Mexico and to Brazil, to impart critical science and spark action.

To date, The Crossroads Project has created two separate performances – Rising Tide, which premiered at USU in 2012 and has been performed extensively, and Emergence – an experimental version, which premiered in 2016 and is still under development.

“Grounded in science, elevated by art, igniting response,” as described by its website, The Crossroads Project performances are neither concerts nor plays.

“It’s a performance experience,” Davies says. “And not an entirely pleasant experience. But it has proved powerful and thought-provoking.”

And it’s an evolving experience as well. As the project has progressed, The Fry Street Quartet, comprised of violinists Robert Waters and Rebecca McFaul, violist Bradley Ottesen, and cellist Anne Francis Bayless, commissioned music specifically for the performance by renowned American composers Laura Kaminsky (Rising Tide) and Libby Larsen (Emergence).

The performance is further complemented by the visual art of New York-based painter Rebecca Allan and the environmental photography of International League of Conservation Fellow Garth Lenz.

Seeds of the Crossroads effort formed from Davies’ earlier experiences at England’s Oxford University.

“During my years as a postdoc at Oxford, I had powerful experiences with chamber music,” he says. “I could have attended a concert almost every night, had I wanted to.”

Davies reports the performances often “unlocked his thinking.”

“I’d walk into a concert with a complicated quantum optics physics problem on my mind and the music would send me scrambling for a notebook,” he says.

Those experiences laid the groundwork for the approach Davies sought with The Crossroads Project.

“I hoped the performance experience we provided would push away obstructing thoughts and replace them with compelling information about a critically important issue,” he says.

The Arts, Davies explains, have the ability to connect us to important issues on a visceral level, not simply to understand them on an intellectual level.

"Take the example of the role of Harriet Beecher Stowe’s seminal novel, Uncle Tom’s Cabin, in ending slavery,” he says. “It became widely popular throughout the world after its debut in 1852 and moved people to action. This single piece of literature did what hundreds of abolitionists, who’d lectured for years about the evils of slavery, couldn’t do.”

It’s the same for scientists.

“We have compelling, scientifically based evidence of the damaging effects of human activity upon our environment,” Davies says. “Yet the perceived policy, economic and social implications of confronting our lifestyles and doing something to reverse our course generate enormous resistance.”

He hopes The Crossroads Project provides an impetus – audience by audience – to change hearts and minds and spark action.

“Change of this scale requires knowledge, commitment and community,” Davies says. “No one can do everything. So, we encourage those in our audiences to pick something and make it yours.”

By Mary-Ann Muffoletto

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