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History<=
/span>
The Morrill act of July 2nd 1862, provided =
for a
land grant of 30, 000 acres of public domain to several states and
territories. As part of the M=
orrill
act, and endowment was provided for the establishment of colleges that would
maintain institutions. The
&nb=
sp; Little
thought was given to the idea of a land grant institutions in Logan Utah, f=
or
in 1888 Logan already boaster of being home of the Latter0day Saints owned
Brigham Young College. Many
citizens thought that better sites for the future agricultural college woul=
d be
located outside of
On April 16,1889 Board of Trustees member of the terri=
tory
walked over the site of the future campus.=
Later that day, Caleb W. West, Territorial Governor, chose the spot
where the (Old Main) building was to be located. Work was then started, and then on=
July
27th 1889, Governor Arthur C. Thomas laid the cornerstone. The first Collage of Utah was comp=
eted
and accepted by the Board of Trustees in February 1890.
J. W. Sanborn was named president of the AA. C.
John A. Widtsoe succeeded =
Kerr as
president in 1907 and managed to expand the existing Mechanic Arts
department. Widtsoe
organized the first extension program in the
Upon enter into World War 1, president E. G. Peterson =
turned
the college into a military training camp which was then used by the U.S. A=
rmy
Signal Corps. President Peterson allowed barracks to be built on campus.
Peterson organized and sponsored a national summer sch=
ool
which by 1927, had become so successful, that state legislature repealed a
restrictive act of 1905 thereby liberating the allowable curriculum at the =
A.
C.
Two years later. The Depression caused everyone to tig=
hten
the collective belt. The facu=
lty
and administration agreed to budget cuts.&=
nbsp;
Though financially depressed, a library and field house were constru=
cted
in 1930 and 1935 respectively. Two
departments were also added; those of family life (1935) and Forestry
(1936). By this time the ACU =
had
become accredited as a national institution and had undergone a name change=
to
Upon entry into World War Two, expansion at USAC had s=
topped
and so did the reign of E. G. Peterson as president.
After the war, the college had resumed its expansion a=
nd by
the 1950's had begun building dormitories making the campus a truly residen=
tial
one. The college was the firs=
t in
the nation to provided housing for its married students.
The post-war period saw the revival of many annual pro=
grams;
the moist well know being the annual summer music clinic- the first of its =
kind
in the western
The year 1957 saw more additions and changes. With the addition of the Collages =
of
Education, Science, Fine Arts and Graduate Studies the mane of the institut=
ion
was again changed to
The 1960 was indeed a decade of expansion into new hor=
izons
as well as radical changes, and
Foreign students began attending USU in large numbers =
starting
in the 1970's due to the universities reputation among many countries. This was well manifested in the
international students associations that formed on campus.
Despite all of these problems,
The main focus of USU in the eighties had been in rese=
arch
and education. Currently
The Tradition of research had continued at In fall 1998,
History of the
=
When N.W.
Christiansen was appointed a s a full time band director in 1928, degrees in
music and music education had become available to students attending the
USAC. In 1932, the first summ=
er
music clinic was organized with A.R. McAllister as band clinician. There were 180 band students in
attendance!). This clinic was=
the
first in the nation and was to continue until 1943 when it was interrupted =
by
World War Two. The College co=
ncert
bans prospered in the meantime. A
photo taken in the late thirties displayed a group of some sixty musicians.=
=
In 1940,
N. W., as he was affectingly know, took leave to finish this Ph.D at the Eastman school of music and music
education. Charles Steen, a
woodwind teacher from
=
In 1951
the summer music clinic was revived and had continued until the present.
=
John
Philip
=
In 1971,
the Aggie Marching Band was cut as a result of sever budget cuts brought ou=
t by
the State Board of Regents, and band enrollment dwindled as a result of the=
cut
in the program. Meanwhile, Max Dalby continued =
as
band director until 1973. Dean
Madison conducted in his was for the next three years when Dalby
took over once again. In the =
fall
of that year, Dean Madison and Dennis Griffin reorganized the Aggie marching
band and was the first marching band in Utah to use coups- style marching in
all of its shows. Band enroll=
ment
started to climb one again, and the USU bands were gain in the vanguard of
band-dom in Utah. Once Max Dalb=
y
resumed as director of the concert band, he continued until 1983. Dennis Griffin became director tha=
t same
year and continued until 1989 when George Sparks took over. Sparks directed all the bands and =
was
woodwind instructor until 1989 when Griffin =3D
=
In the
fall of 1998, Dr. John Cody Birdwell left Utah State University and an inte=
rim
director was found. Dr. Thoma=
s P.
Rohrer took over as director if bands at USU in 1998. And was officially hired in Spring=
of
1999. Since the arrive of Dr.
Rohrer, the marching band has traveled to Boulder CO, Tempe AZ, as well as =
in-state
football games at BYU, and the University of Utah. The Wind Orchestra has traveled to=
Weber
High school to perform with the local high school and junior high bands.
=
One of the
most distinguished alumni of USU bands is Lieutenant Colonel Mike Bankhear, conductor of the United States Air force ba=
nd in
Washington D.C.
History =
of the
Theta Eta Chapter of
Tau Beta Si=
gma
=
In 1987
the colonies of Tau Beta Sigma and Kappa Kappa Psi at
colonies.
=
On April 13,
1990 with Dr. Dennis Griffin as the sponsor, the two colonies were finally
installed as official chapters: the Theta Eta c=
hapter
of Tau Beta Sigma and the Iota Iota
chapter of Kappa Kappa Psi=
. The charter members were as follow=
s:
Tau
Beta Sigma &nb=
sp; =
&nb=
sp; =
&nb=
sp; =
&nb=
sp; =
&nb=
sp; =
=
span>Kappa
Kappa Psi
Rachel Curry &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; Anthony
Adams &n=
bsp;  =
;
Jodilyn Evans &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; Matthew
E. Gilman &nbs=
p; &=
nbsp;
Gina Redmond &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p;
Lauralee Shepherd &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; &=
nbsp; &nbs=
p; Alan
Mortensen &nbs=
p; &=
nbsp;
Sara Jane Summers =
; &n=
bsp;  =
; &n=
bsp;  =
; &n=
bsp;  =
; &n=
bsp;  =
; &n=
bsp; Eri=
ca
Scheller
Heather Harris
=
Soon after
the installation the two chapters attended the Western District Convention =
and
won the bid to hose the district publication,
=
Sometime
after, Dr. Nicholas Morrison was installed as the sponsor of Theta Eta. In
November of 1997, Dr. John Cody Birdwell was installed as sponsor of both
chapters in addition to being the band director. In August of 1998 Dr. Thomas P. Ro=
hrer
was hired as band director as was then installed as a sponsor for both Thet=
a Eta and Iota Iota.