Upcoming Events
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Year of the Woman - Photo & Essay Contest Voting Party
Exhibition | Year of the Woman
Join us for our Year of the Woman Photo & Essay Contest Voting Party. Voting for photo submissions will take place LIVE, with the winner being announced on site. Prizes will be handed out for the winners of the essay contest. The Year of the Woman Photo and Essay Contest engaged high school age students in Box Elder County to submit photos and essays to creatively promote and celebrate the accomplishments of women in the community, both historically and current.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Pizza, Prints, and Popcorn! Movie Night
Exhibition
Come relax and watch a movie in the 3D Printing Lab as we demonstrate how to use the 3D printers. Pizza will be provided.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Gallery Walk with artist Pilar Pobil
Exhibition
Pilar Pobil is a well-known artist who was born in Spain at a time "when women were not encouraged to pursue their ambitions." She followed a more traditional path -- she got married, moved to the United States and had three children. When she was in her forties, she began to take her ambition seriously. She's self-taught in many mediums and currently resides in a beautiful, well-painted home in Salt Lake City. Pilar creates art from a place of feeling, using this to depict the reality she has lived.
Join Pilar at Utah State University's Merrill-Cazier Library for a walk around an exhibit featuring her work. She will discuss what each piece meant to her at the time of its creation. This event is free and open to the public.
Community Night
Exhibition
Community Night is your opportunity to experience fun, hands-on learning. Launch mini rockets, or play in the 3-D sandbox. Visit the Electrical Engineering section to learn how to solder; or stop by the Mechanical section and compete in our famous pine wood derby competition. Don’t forget to explore Kids Korner for the egg-drop event and popcorn! There’s something for everyone so bring the entire family!
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
USU Geosciences Rock and Fossil Day
Exhibition
Rock and Fossil Day is an opportunity for families of all ages to join the Geosciences Department in exploring everything that the geosciences has to offer. There will be: Demonstrations Presentations Hands-on Samples Rock/Mineral Identification Museum Tours Pet Rocks Pipe Cleaner Dinosaurs Digging for Fossils Making Trace Fossils Dino Cookies The Geology Club will have geo-swag, including geodes, available for purchase. The event is free and open to everyone. Find more information at https://geo.usu.edu/activities/rock-and-fossil-day
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
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