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Classical Drama and Theatre
Reaction Summaries: Section 2
Aeschylus |
| J. Herington, Aeschylus (Yale 1986). [] |
| H.D.F. Kitto, "The 'Oresteia'" and "The Dramatic Art of Aeschylus" in Greek Tragedy (Methuen & Co.: 1939) 64-116. [] |
| B. Knox, "Aeschylus and the Third Actor" in Word and Action: Essays on the Ancient Theatre (Johns Hopkins: 1979) 39-55. [] |
| C. Pelling, "Aeschylus' Persae and History," in Greek Tragedy and the Historian, ed. C. Pelling (Oxford Clarendon: 1997) 1-19. [] |
| O. Taplin, The Stagecraft of Aeschylus (Oxford Clarendon: 1977). [] |
Sophocles |
| H. Bloom ed., Sophocles' Oedipus Rex (Chelsea, NY: 1988). [] |
| J.H. Kells, "Sophocles' Electra Revisited," Eranos 86 (1988) 153-160. [] |
| G. Ley, "A Scenic Plot of Sophocles' Ajax and Philoctetes," Eranos 86 (1988) 85-115. [] |
| A.J. Podlecki, "Another Look at Character in Sophocles," Daidalikon: Studies in Memory of Raymond V. Schoder, S.J., ed. R. Sutton (Bolchazy-Carducci, Wauconda: 1989). [] |
| R.M. Rothaus, "The Single Burial of Polyneices," CJ 85.3 (1990) 209-217. [] |
| R. Scodel, "Electra" and "Philoctetes" in Sophocles (Twayne, Boston: 1984). [] |
| D. Seale, Vision and Stagecraft in Sophocles (Croom Helm, London: 1982). [] |
| D.F. Sutton, The Lost Sophocles (University Press of America, Lanham MD: 1984). [] |
Euripides |
| W.G. Arnott, "Euripides and the Unexpected," G&R 2nd ser. 20 (1973) 49-60. [] |
| W.G. Arnott, "Red Herrings and Other Baits," Museum Philologum Londiniense 3 (1978) 1-24. [] |
| W.G. Arnott, "Euripides' Newfangled Helen," Antichthon 24 (1990) 1-18. [] |
| S. Barlow, The Imagery of Euripides (Methuen, London: 1971). [] |
| M. Damen, "Electra's Monody and the Role of the Chorus in Euripides' Orestes 960-1012," TAPA 120 (1990), 133-145. [] |
| F.M. Dunn, "Comic and Tragic License in Euripides' Orestes," Classical Antiquity 8.2 (1989) 238-251. [] |
| R.K. Fisher, "The ‘Palace Miracles' in Euripides' Bacchae: A Reconsideration," AJP 113 (1992) 179-188. [] |
| B. Knox, "Euripidean Comedy," in Word and Action: Essays on the Ancient Theatre (Johns Hopkins 1979) 250-274. [] |
| M.R. Lefkowitz, "'Impiety' and 'Atheism' in Euripides' Dramas," CQ 39 2nd ser. (1989) 70-82. [] |
| G. Ley, "Scenic Notes on Euripides' Helen," Eranos 89 (1991) 25-34. [] |
| J.R. March, "Euripides' Bakchai: A Reconsideration in the Light of Vase-Paintings," BICS 36 (1989) 33-65. [John Belliston] |
| S.D. Olson, "Politics and the Lost Euripidean Philoctetes," Hesperia 60 (1991) 269-283. [] |
| C. Riedweg, "The ‘Atheistic' Fragment from Euripides' Bellerophontes (286 N2)," ICS 15 (1990) 39-53. [] |
| S.L. Schein, "Mythical Illusion and Historical Reality in Euripides' Orestes," WS 88 (1975) 49-66. [] |
| P. Sfyroeras, "The Ironies of Salvation: The Aigeus Scene in Euripides' Medea," CJ (1994) 125-42. [] |
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