Upcoming Events
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Community Art Day: Sculpting with Paperclay
Arts/Entertainment
NEHMA hosts Community Art Days on the second Saturday of each month. These family-friendly events include different educational and art activities that are fun and age-appropriate for all.
In March, we're working with paperclay. Paperclay doesn’t need a kiln, just air in order to dry. Be inspired by our new exhibition, Particle & Wave: PaperClay Illuminated, and sculpt your own masterpiece out of clay.
Light refreshments will be served.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
NEHMA Presents PBS Utah's "Book Club in a Box" - Theme: Animals
Arts/Entertainment
“Book Club in a Box” pairs a novel with a PBS Utah documentary on different topics each month. Every second Thursday of the month, NEHMA hosts a discussion of the book and film with local scholars and faculty, also including a discussion of a related artwork from the museum’s collection. The event is free and open to all — no sign-up required! Light refreshments will be served.
Theme: Animals
Book: "Never Cry Wolf" by Farley Mowat
Documentary: "Inside Animal Minds"
Learn more about the book and film on NEHMA's website: https://artmuseum.usu.edu/events/
Book discussion led by Rob Carney, professor of English and literature at Utah Valley University
Film discussion led by Allison Willoughby, USU School of Veterinary Medicine
Art discussion led by Bolton Colburn, Curator of Collections and Exhibitions at NEHMA
Read the book and come ready to share your thoughts, or watch the documentary at NEHMA and enjoy the book later. Although certainly helpful, reading the book isn’t required to participate in “Book Club in a Box” events.
For more information about “Book Club in a Box,” contact Teri Guy at teri.guy@usu.edu or 435-797-7239.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
"Teoría Latinx": Q&A with Communitas lecturer Jairo Salazar and Dr. Álvaro Ibarra
Panel Discussion/Presentation
Join Dr. Álvaro Ibarra, visiting professor of art history at USU and co-curator of "Latinx from the NEHMA Collection," in the gallery as he interviews his friend and visiting Communitas lecturer Jairo Salazar about the exhibition, his own experiences, and the changing definitions of Latinx.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
David Maisel: Proving Ground
Exhibition
In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.
In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”
The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.
MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Particle & Wave: PaperClay Illuminated
Exhibition
"Particle & Wave" features forty-five artists from across the world who incorporate paper pulp and organic fibers into their clay. The exhibition explores innovation, creativity and connection by sharing the breadth of work being created by artists spanning five continents who choose paperclay for its adaptability, tensile strength, translucency, and ecological and sustainable characteristics.
"Particle & Wave: PaperClay Illuminated" is organized by The International Paper Clay Exhibition Project, and curated by Peter Held.
Thomas Campbell: Lint Basket Supremeo and Unii Ciøn Yyikæ
Exhibition
Thomas Campbell is an interdisciplinary media maestro who creates eloquent and romantic narratives about the fringes of contemporary American culture in a variety of formats, including sculpture, ceramics, music, printmaking, painting, photography, drawing, and film.
A two-part, two-gallery sequence, "Lint Basket Supremeo" (a multi-medium survey) and "Unii Ciøn Yyikæ" (new works) give a sense of Campbell’s creative output over the last ten years leading up to today, including new works created during an artist residency at Utah State University’s Department of Art & Design last fall.
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