Upcoming Events
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Utah State Theatre: The Wolves
Arts/Entertainment
Left quad. Right quad. Lunge. A girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors. A portrait of life, liberty, and the pursuit of happiness for nine American girls who just want to score some goals.
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $8. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
USU Big Bands
Arts/Entertainment
Join USU's two big bands as we celebrate saxophonist, composer and arranger Bob Mintzer. The USU Jazz Orchestra, under the direction of Jon Gudmundson, will present a Mintzer Sandwich, so to speak, with a set of three of Mintzer's most popular arrangements: "Computer," "Acha," and "Ellis Island," enveloped between two nutritious slices of Basie bread. The Basie bookends consist of the classics "Corner Pocket" and "Shiny Stockings."
The USU Jazz Ensemble, directed by Greg Wheeler, will likewise present a sandwich of big band masterworks guaranteed to set your toe to tapping and your head to bobbing.
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
USU Symphony Orchestra
Arts/Entertainment
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Midweek Movie - The Goonies (Cancelled)
Arts/Entertainment
Come see movies on the big screen, the way they were intended. Entrance is only $1.00.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
CCA's Midweek Music Series: Jazz Jams
Arts/Entertainment
Join us outdoors under the big tent on the Engineering Quad for this week's Jazz Jams. This concert is a jam session featuring USU jazz students and guest artist David Baker. Dr. Baker is an accomplished bassist and composer and the newly appointed Director of Jazz and Commercial Music at Utah Valley University. If you're unable to attend the concert in person, stream the performance live at ccapresents.usu.edu.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
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